Composing With
| Gary Weissman | A Comic Strip Cover Story |
| Franny Howes | Composing the Uncollectable |
Comic
| Aaron Scott Humphrey; inked by John Carvajal | Visual and Spatial Language: The Silent Voice of Woodstock |
Articles
| Gabriel Sealy-Morris | The Rhetoric of the Paneled Page: Comics and Composition Pedagogy |
| Hannah Dickinson and Maggie M. Werner | Beyond Talking Heads: Sourced Comics and the Affordances of Multimodality |
| Kate Comer | Illustrating Praxis: Comic Composition, Narrative Rhetoric, and Critical Multiliteracies |
| Molly J. Scanlon | The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy |
Course Design
| Leah Misemer | The Graphic Novel |
| Aaron Kashtan | Handwriting and Typography |
Where We Are: Intersections
| Susan Kirtley | The Underdog Disciplines: Comics Studies and Composition and Rhetoric |
| Shannon Walters | Graphic Disruptions: Comics, Disability and De-Canonizing Composition |
| Erin Kathleen Bahl | Comics and Scholarship: Sketching the Possibilities |
Book Reviews
| Tammie M. Kennedy, Jessi Thomsen, and Erica Trabold | Comics and Composition, Comics as Composition: Navigating Production and Consumption
Books under review: Contemporary Comics Storytelling, by Karin Kukkonen; Linguistics and the Study of Comics, edited by Frank Bramlett; Narrative Structure in Comics: Making Sense of Fragments, by Barbara Postema |
| Janine Morris | Multimodal Literacies and Graphic Memoir: Using Alison Bechdel in the Classroom
Books under review: Are You My Mother? A Comic Drama, by Alison Bechdel; Fun Home: A Family Tragicomic, by Alison Bechdel |
| Peter Brooks | Re/Framing Identifications, edited by Michelle Ballif |
| Molly J. Scanlon | Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon |
| Jason Luther | DIY Citizenship: Critical Making and Social Media, edited by Matt Ratto and Megan Boler |
Composition Studies 